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1stdibs Shop Talk

May 28th, 2014- Vivienne Becker sits down with Simon Teakle at 4 Grigg Street. See the full article on

Simon Teakle is the quintessential English gentleman: distinguished, discreet, impeccably mannered and ineffably charming. He also has the perfect pedigree for an antique-jewelry dealer, having worked for 20 years at Christie’s, first in London and then in New York, where he ran the auction house’s jewelry department. So when Teakle branched out on his own two years ago as a dealer in vintage and fine jewelry, the genteel, New England town of Greenwich, Connecticut, proved the ideal location.

Before setting up his eponymous shop, however, he first worked in Greenwich for the noted jeweler Betteridge, starting in 2004. Then, in 2012, “The stars were aligned, the right opportunity came along, and the timing worked in every respect,” he explains. “I had been wandering around Greenwich with my wife, looking at buildings, and I just kept coming back to the same space, a nineteenth-century building, within sight of Greenwich Avenue, that had been part of the old Greenwich fruit and vegetable market.” The one drawback of the space, at 4 Grigg Street? It was already occupied (coincidentally, by a working jeweler). Teakle’s wife, Juliet, decided to go inside, look around and talk to the goldsmith, who told her, to her surprise and pleasure, that he was about to leave the premises. “Within three days,” Teakle says with a laugh, “I had a ten-year lease, my own shop and absolutely no business plan.”

He began by completely gutting the boutique, creating a discreet salon with a comfortably cool, club-like style and sleekly modern vitrines, all expressly designed to display antique and estate jewelry in a contemporary setting. “My aim has always been to show clients that antique jewelry is wearable and modern, that it makes the right statement with today’s fashions,” Teakle says. “It’s the perfect complement to, say, a Prada dress.”

There is, unsurprisingly, a distinctly English feel to the shop, with its muted Farrow & Ball colors; its classic 1950s, ’60s and contemporary fashion photographs; its large sofa covered in rough Indian silk; and its rolling library ladder and stately book- cases. A stunning 18th-century silvered mirror comes from Wardour Castle, the ancestral Dorset home of his wife’s family, the Arundells. “There are lots of personal touches,” he explains, “a myriad of objects similar to those we have at home.” Teakle wanted the shop to be intimate and low-key, to allow people to, he says, “discover” its magic as they move through the space — which explains why there are very few jewels displayed in the shop windows.

Teakle says the uncluttered, modern setting ensures that every jewel or jewelled object on offer has a “relevance to its contemporary existence.” Bringing the past into the present in such a dynamic way — with style and taste and an awareness of current fashions, all backed up by knowledge, expertise and academic research — is a special focus of Teakle’s, one that evolved from the serendipitous start to his working life, as a junior porter in the silver and jewelry department at Bonhams, the London auction house. Teakle, who was brought up in Lewes, Sussex, and educated at Eastbourne College, explains: “After a not particularly distinguished academic career, I thought I’d like to try working in an auction house. It was fortuitous that Bonhams put me in the jewelry department, rather than, say, furniture or Old Masters, because I became completely hooked.”

From there, he moved to Christie’s, where the well-respected and much-loved jewelry expert Albert Middlemiss was his mentor. Middlemiss taught him to appreciate every jewel that came through the department, whether grand and aristocratic or small and humble. This training explains the unusually broad but also carefully curated and intensely personal selection of jewels Teakle offers today. He chooses each piece himself, looking for those with style, personality, quirkiness and craftsmanship.

Non-jewelry items on offer include, from left on the top shelf: a weather station clock by Auricoste, ca. 1930; a George III silver warming dish, 1778; a desk clock by Cartier, ca. 1930. A pair of George II silver candlesticks by John Café, ca. 1740, and George III silver tureens by Solomon Hougham, ca. 1787, sit on the shelf below.

“My auction background means that I select pieces from right across the board,” Teakle explains, “from all periods and styles, and across all price ranges — from a pair of Van Cleef & Arpels earrings, for example, for perhaps half a million dollars, down to a nineteenth-century emerald-green Vauxhall glass cross pendant for, say, eight-hundred dollars.” He concludes:. “Beauty and rarity don’t have to cost a fortune.”

At any one time, you might find in the shop a string of early trade beads from Cameroon, an 18th-century paste pin, an elegant Regency agate necklace, a glamorous mid-20th-century gold-and-diamond bracelet by Boivin or a contemporary treasure by JAR, Daniel Brush or Taffin by James de Givenchy. Teakle also creates pieces of his own design from exceptional gems, and occasionally alters an antique jewel — re-mounting a 19th-century diamond bird pin on a bangle, for example, to preserve its integrity and make it that much more modern, wearable and dramatic.

Alongside the jewels, Teakle likes to keep a selection of quirky, unexpected objects ideal for gifting. “So many women want to buy something for their husbands — fun, not-too-expensive objects for the office or den that you can’t find anywhere else,” he says. For instance? How about a huge and heavy jumble of antique keys on a massive key ring, a 1940s aircraft panel or an Hermès clock dating from the 1930s?

Many of Teakle’s clients are scattered across the globe, but just as many are local, often young and from the world of finance. (Greenwich, known as Wall Street’s bedroom, has perhaps the highest concentration of hedge-fund managers in the world). They are, he says, well-informed and eager to learn, quick to develop taste and acquire expertise. And Teakle clearly takes great pleasure in sharing information and knowledge — his people skills match his jewelry expertise. “In this business, it’s all about relationships,” he says. Relationships and remarkable jewels, that is.

Town and Country

Taffin's venetian glass and pearl earrings, and byzantine bead and steel bangles feature in Style Spy, in Town and Country's November issue.



Stacey Bewkes of recently visited us to view our shop and discuss our jewelry collections.  She has written a lovely piece which we feel very accurately describes the shop, the jewelry and our concept - thank you Stacey.

News, Presssimonteakle
JCK Magazine
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Emili Vesilind at JCK Magazine interviews Simon Teakle to discuss jewelry, luxury and of course the much anticipated opening of the gallery at 4 Grigg Street.

Jewelry Veteran Brings Quirky Opulence to First Retail Store

After a 30-year career in the jewelry industry punctuated by a stint heading up Christie’s Jewelry Department, Simon Teakle is ready to present his singular version of “quirky opulence.”

The British gemologist will debut his first retail store, Simon Teakle Fine Jewelry, Sept. 8 in Greenwich, Conn.

The 750-square-foot space, which inhabits the city’s original fruit and vegetable depot, is located just off main shopping drag, Greenwich Avenue, and stocks both antique and modern jewelry, along with gift items hand-picked by Teakle.

The shop marks the first solo retail endeavor for the industry vet, who played a major hand in the sales of some of this past century’s most illustrious jewelry pieces and collections—including the Agra Diamond, the Indore Diamonds, the Rockefeller Sapphire, and jewelry belonging to Eva Perón, Doris Duke, and Elizabeth Taylor.

For Teakle, opening a store is “something I’ve always wanted to do. Ultimately, whether you’re putting an auction together or you’re running a department for another retailer, it’s someone else’s vision and business,” he says. “So to be able to have a store that reflects your own taste and have the business be the way you want to be…ultimately, it’s self-serving. It’s what I want to do.”

Finding extraordinary pieces at every price range is Teakle’s favorite aspect of his new gig: “It’s not just about dealing with things that are expensive. It’s about finding interesting objects.”

Store inventory spans centuries and a rainbow of personal predilections. The store’s antique and vintage jewelry collection, which ranges in price from $1,000 to $500,000, includes Roman beads, 18th-century British pieces, and circa-1980s statement baubles from venerable houses such as Van Cleef & Arpels.

The store’s selection of new jewelry starts and ends with pieces from Taffin Fine Jewelry designer James de Givenchy, who’s known for his meticulous craftsmanship and bold use (and combinations) of sizeable colored gemstones.

The partnership is an exclusive; de Givenchy has never sold pieces outside of his New York atelier before. “He didn’t need much convincing,” notes Teakle. “James and I are old friends. I told him what I was up to and said if there were any chance of working [together], I’d love to do it. Greenwich doesn’t need another jewelry designer. But James is different. I believe, with a few rare exceptions, he’s set apart from everybody else.” Taffin pieces range in price from $5,000 to $100,000.

The store’s selection of gifts is as distinctive as its jewelry collections. There are treasures for men and women—geared to the area’s uber-affluent locals, who “when they want something, they go out and buy it,” says Teakle.

On opening day, expect to stumble upon a 1950s Astin Martin logo that once inhabited the company showroom; a solid silver Edwardian exhibition model of the first bomber biplane; a circa-1970s Lucite Coca-Cola bottle and bass guitar; and leather accessories including umbrellas, jewelry rolls, and backgammon sets from British luxury label Pickett.

“Everything is luxurious, but not in an obvious way,” says Teakle. The aesthetics are “more discreet than flamboyant.”

The store’s decor is conventionally English feeling but with modern elements. There’s a stately old British lantern in the foyer, a sofa swathed in hand-printed Indian silk, sleek glass-and-steel showcases, an antique desk, and 20th-century fashion photos hanging on the walls.

“I am trying to offer a curated inventory in an environment that’s not a typical retail environment,” says Teakle. “It’s a cross between a gallery and residence.”

As excited as Teakle is about being a shop owner, he’s hoping the endeavor will afford him some much-needed balance in his life. “I want to open this store so that I can look after my clients, deal with lovely jewelry, and have a nice day,” he says. “I’m not interested in re-creating this all over the country—I want it to be lovely things that are hand-chosen by me. If you look at the people who’ve been very successful in this business, it’s been about them and their personalities. Once you start to franchise that, something gets lost.”